
It's rare that I get out to see a movie in the theaters anymore. The cost alone, is enough to turn off most viewers and it just seems to be getting worse. The other issue is, finding a movie that I actually want to see in the theaters! It has to be something I want to see with friends or one that my wife and I can both agree on. 'Prisoners' was one of those rare films. I'm not sure if it was the cast or the story line or the trailers. There was just something about it that spoke to each of us. (My wife also has a thing for Hugh Jackman, so that never hurts the chances of seeing him in a movie.)
The trailers gave you an overall feeling of what to expect from the film and a bit of what the story would entail. What ended up being the actual film, was two and a half hours on an emotional roller coaster in the dark. No matter how comfortable you got with what was going on, the minute you caught your breath.... it hit you in the stomach again. Granted, there was a lot about it that was predictable and cliched, but that really didn't matter to me. The ending also left a little bit to be desired. It was a tad unfinished, especially considering that you had already invested almost three hours. I think 5 more minutes of exposition wouldn't have hurt. The result of this lead one movie goer to remark, "That was stupid." as she left the theater. I think she was wrong about the ending and the overall film. But, I imagine that there will be a few other folks that might feel the same way too. Indie films use the vague ending quite a bit and it's something that we've all come to expect. Big budget thrillers, with an 'A' list cast and a lot of great press usually have a more "idiot proof" finale. Regardless of one viewers rush judgement, the critics are all disagreeing. Across the board, it's getting rave reviews. I haven't heard any thoughts from any one I know yet. I'd be curious what the average movie goer thinks, versus that of a major newspaper or movie review site. I'm a bit jaded and consider myself pretty well schooled on films. I went to school for it, have seen more than I can count and have incorporated it into my everyday life. I love movies in every form: good, bad or indifferent. I love to talk about them, write about them and over think them. It's a passionate hobby. With that being said, me enjoying it and not really seeing the outcome too early.... says something about 'Prisoners'. Too me, it is a mark of quality. To be able to take a person like me and engage them and keep their interest for an extended period of time, is a feat all by itself! Granted, my wife caught on really early and made sure to tell me her theory. (Which was correct, by the way.) I preferred to just let it play out, without any preconceived notions. I like to be surprised every once and a while. Don't you?
I read somewhere that this film would make a good companion piece to David Fincher's 'Se7en'. They aren't really the same animal, but they do kind of have a similar feel. They both play out almost entirely in the rain/snow. There is very little sun in either film. They both deal with a cat and mouse type scenario. Good guys vs. bad guys, but neither is clearly bad or good. It's dark and doesn't have much light to lessen the weight of the drama. There's really no humor or action. It's really a story about choices. How far would you go to save someone you loved? And I honestly think that they did it with tact and some reality. There's moments of things being a bit over the top, but never so much as to lose the viewer. The violence is also understated and more implied than shown. It's quite effect and affecting.
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In case you've missed the previews, the story goes like this: (taken from IMDB.com) "Keller Dover is facing every parent's worst nightmare. His six-year-old daughter, Anna, is missing, together with her young friend, Joy, and as minutes turn to hours, panic sets in. The only lead is a dilapidated RV that had earlier been parked on their street. Heading the investigation, Detective Loki arrests its driver, Alex Jones, but a lack of evidence forces his release. As the police pursue multiple leads and pressure mounts, knowing his child's life is at stake the frantic Dover decides he has no choice but to take matters into his own hands. But just how far will this desperate father go to protect his family?" This is the basic outline for the first half of the film. There's so much more going on than this. The story gets deeper, more complex and pretty damn dark. This element may turn off a few viewers, but it 'Se7en' is your kind of thing.... this will be a cake walk. Hugh Jackman is listed as the lead in this film, but Jake Gyllenhaal really is the main character in the story. Terrance Howard, Maria Bello and Paul Dano also star. Everyone in this film turns in a high caliber performance. I don't know that I'm seeing an Oscar nods here, but it's still early and there's a lot more films to come out this year. All the characters are fairly complex and engaging. No one is really one dimensional, however, Melissa Leo's turn as 'Holly', is a bit stiff. She's not got a lot of screen time, but she's a name actress with some critical acclaim. Because of that, I suppose I expected a bit more. Jake really was the surprise stand out. He doesn't fall into all of the trappings of the slightly burned out detective. He doesn't smoke or drink. He doesn't have an ex-wife and kids that he never sees. He's even offered a drink, at one of his lowest points, and denies it. I respect the decisions of the writer to not give us that stereo typed detective. It was refreshing. I actually wanted more back story on him than we were treated to. He is a fully 3-dimensional character and we end up knowing so little about him. I'm kind of hoping they make another film with him as the lead character. I should also mention Paul Dano's portrayal of Alex Jones. I expected him to run away with this film. He was pretty amazing, but he was so subtle that he kind of got overshadowed by the other characters. The funny thing is, that's what would've happened to his character in real life. That being said, he was pretty perfect in that role. Suitably creepy. Anyway.... that's my two cents.
All in all, this is a very satisfying piece of modern cinematic drama. I found myself fully invested into the story, within the first three minutes of the film. I watched every little action and re-action of each character, trying to find out all of the little hidden details. When the third act finally began, I was so ready for a payoff and I got what I wanted and then some. It bordered on being a bit too much. As every time you thought things were ending, it kept going. I think that's part of reason why the very last scene in the film seemed a bit abrupt. It was due to the audience expecting the film to keep going at parts where it felt like the ending, that when it was finally the end.... it felt like I should've kept going. Does that make sense?
My final thoughts are that this was a great film and one that deserves to be seen. In the theater or at home, I think it will still pack a punch. It's a kidnapping film that doesn't re-hash every other kidnapping film ever made. It doesn't rely on all of the cliched characters and their cliched actions and the stuff that you see in every single cop show ever made. 'Prisoners' instead relies on giving you a chance to do see something at a slightly different angle. It may be a bit over the top in the end. The story might just go a hair beyond the realms of belief, but I really didn't mind. I cared so much about the characters and the outcome, that I bought it all.... hook, line and sinker. I'm also not someone who left the theater feeling unsatisfied. I've seen vague endings before and ones that end so abruptly that you have no idea if the film is even over. This one gave you an ending that stops short, but isn't unfinished. There is closure. I give 'Prisoners' 4 out of 5 stars and I think my wife feels the same way too. Sadly, the lady who left before me, didn't agree. Her loss. This is one that will continue to bring in an audience, as long as the critics keep loving it. This film has also created an interest in the other works of it's director: Denis Villeneuve. I'd never heard of him prior to this, but I've got his other films queued up and ready to go at any time. The man knows drama. Highly recommended.
If you like this, check out: 'Se7en', 'Nightwatch' (1997) and any of the Hannibal Lecter films. (Although, those are all serial killers and not kidnapping films. They just feel similar.)
By the way, I hate the poster. Nuff' said.
Remakes are something that create a lot of arguements on the pro and con side as to whether or not they're a good thing. Sequels to remakes of original films that don't follow the original sequels storyline are an entirely different animal. Have I lost you yet? Basically, the original Spanish film '[REC]', was remade in the United States as 'Quarantine'. It was fairly true to the original source material, however, they decided to make a sequel. Now, there was already a sequel to '[REC]', called '[REC]2'. (original title, right?) The sequel to the original sequel does not follow the same storyline. It carries on from 'Quarantine', but it goes in an entirely different direction. Basically, we have the 'virus' breaking out in an airplane that then gets quarantined in an airplane hanger. Despite the difference in storylines from the original, I still really enjoyed this film. Another strike against 'Quarantine 2: Terminal', is that it was a direct to DVD release. That is most certainly the kiss of death for most films and even more so for a lot of franchises. That doesn't mean that the franchises stop, but they are effectively dead from that point forward. I don't know how this film beat the odds, but I feel that it did it and did it well.
I am kind of thinking that my opinion about this film might be the unpopular one. I mean, people were already up in arms with someone remaking '[REC]', so I kind of assume this pissed em' off even more. I don't mean to piss on the originals. I think both '[REC]' films are amazing films of the virus/plague subgenre of horror and zombies. But I also think that the 'Quarantine' films have done them justice. Sue me. This film knows its limitations and plays to them. It doesn't try to be more than it is and keeps it simple and to a formula. I mean, if it ain't broke.... don't fix it? Right? Thank god for that.
A while back, I wrote a fairly extensive review (by my standards) on the 1978 film 'I Spit On Your Grave' aka 'Day Of The Woman'. http://amomentarylapsewithjoel.blogspot.com/2010/08/my-thoughts-on-i-spit-on-your-grave-aka.html Meir Zarchi's exploitation epic is nortorious for many reasons and virtually wrecked the career's of a lot of the people involved. Well, somebody thought it would be a good idea to remake it and play with fire. I suppose with the release of the remake of Wes Craven's 'Last House On The Left', that it just seemed like the right time. Both are similar in tone, topic and end results. I've never really been a fan of films involving rape. I respected what the original was trying to do, but I can't say that I enjoyed it. Because of my experience with it, I was very slow to watching the remake. I'm kind of glad I didn't rush into it. After finally seeing it last night, I realized that I really needed to be in the right mind set to experience it. It is hard to watch and extremely graphic. Steven R. Monroe not only set out to remake the original, but to up the ante as well. I think that he also did something the original didn't do.... made it feel less like and exploitation piece and more like a revenge/empowerment piece. This version would have been more aptly subtitled, 'Day Of The Woman'.
This film is a revenge story 100%. This is classified as a horror film, but the horror is all too real. There may not be a masked killer or a terrifying ghost, this film boasts monsters that exist and could possibly be people you've already met. One of the things the Mr. Monroe does differently than the original is to add a 5th party to the rape and attempted murder of our lead. I won't tell you who it is, but let's just say that he adds another level to the whole ordeal. It also adds another level of horror to the flim, as this person is possibly the last person you'd expect. It's a nice addition and what that I honestly didn't see coming. Another thing that's different (obviously), but I think better.... is the new leading lady. Camielle Keaton was great in the original, but Sarah Butler takes this character and brings it to a whole different level. She radiates off the screen and exudes so much emotion and eventual strengh. She automatically became a new favorite actress for me. Granted, she's not done much to speak of, that doesn't matter.... she has a bright future ahead of her and if I was making a film, I would hire her in a heartbeat. The setting, the cabin and the bad guys are all very similar to the original. It even feels the same when you watch it. This is a more modern take on the 1978 version, we have cell phones and computers.... but when it comes down to the final revenge, it's all old school. Yet another positive for this film.


there are a lot of funny moments in this movie, along with male full frontal nudity.... Anna Feris plays a great bitch and her drunk scene is disturbing but pretty damn funny in a twisted kind of way.... there's just so many things wrong with this movie, but in turn that's what makes it work.... you find yourself in so many uncomfortable situations that when the punchline hits you're so relieved that you're out of that situation that you can't help but laugh.... or rewind the movie to make sure you saw or heard what you thought you did.... i found this to be a 4 out of 5 star comedy.... i look forward to hear someone else's opinion on this movie.... as i don't know that i know anyone who's seen it.... it's not going to change the face of comedy, however it made me appreciate Seth Rogan a bit more.... and the fact that certain people should not be nude.
it's strange, but in this movie.... there really isn't anyone but the couple and their son.... i can't think of one other person you see throughout the film.... it's really a meditation on their lives.... it's graphic, it's brutal, it's extremely sexual.... it's unlike any movie i've seen in a while.... i still can't say that i've made my mind up about it.... as i only gave it 3 out of 5 stars.... mostly due to the ending being a little vague.... but maybe that was the point....? i really think it deserves far more stars for it's shear creativity and boldness in filmaking.... it's unlike anything you'll see this year.... give it a shot.... but you have been warned, it's not for the weak and it's not for a large segment of the population.... this is a study in film appreciation.
my biggest drawback to this movie is the fact that the traps would just take way too long to set to be practical.... unless this guy plans on being there for hours on end.... not too mention, once he's caught the husband and wife, they only have the two children that are left to catch.... so the traps remain kind of pointless, unless a third party breaks in and messes things up.... but perhaps that's his game.... in case the cops show up, they'll be disabled....? who knows.... but it makes for an interesting story.... and makes it much more difficult for our hero to do what he has to do.... it's obvious the 'Saw' influence is here, but not overwhelming.... this guy is a bad guy and has no method to his madness.... he just likes to kill....
